“The hardest thing was facing the question of whether I would still be able to sing well enough to enjoy it. That was the acid test for me, and I had to be willing to walk through a process that bumped me up against the very real possibility that, in the end, the answer might be “No.”
Instead, Mattea dug in with a vocal coach, re-committed to her music, and emerged with the most poignant album of her career, Pretty Bird. Working with her old friend, music roots wizard Tim O’Brien, producing, Pretty Bird is a chronicle of her journey, song by song, back to singing for the sheer joy of it. It’s an emotional, moving collection, one that draws its strength not only from Mattea’s touching performances, but also from her uncanny ability to weave seemingly disparate material into a cohesive whole. From a playful take on Oliver Wood’s “Chocolate On My Tongue” to a tender rendition of Mary Gauthier’s “Mercy Now,” from a British traditional to a Bobbie Gentry classic, these are the songs that helped Mattea reclaim her voice, and she inhabits each as fully as if it were her own.
Exquisitely arranged and delivered with the kind of subtlety and nuance that can only come from a lifetime of heartbreak and triumph, Pretty Bird is a title Kathy Mattea inhabits quite literally, and it’s a welcome reintroduction to one of country and Americana music’s most enduring and beloved figures.
Kathy will perform her beloved classics such as “18 Wheels and a Dozen Roses,” “Where’ve You Been?,” and many other hits, plus a handful of more eclectic and often requested tunes from her extensive catalogue, and a sprinkling of brand new material.
Her 18 albums are woven through with bluegrass, gospel, and Celtic influences, and have garnered multiple CMA, ACM, and Grammy Awards. A genuine storyteller, Kathy draws inspiration from her Appalachian roots and is a torchbearer for often overlooked musical legacies like those of Hazel Dickens and Jean Ritchie. Her most recent album, Calling Me Home, is a collection of songs that celebrates the Appalachian culture of her native West Virginia and expands the vocabulary of acoustic roots music that has always served as her artistic center.